Christopher Lydon's Portable Web Studio for Blogradio Productions
Chris interviews Joe Trippi, Howard Dean's campaign manager
A Work in Progress - Research as of December 4, 2003 Tech support Field Systems
Chris now has nearly 40 interviews online, and recently launched the BOPnews.com website that includes his latest interviews (they get cross posted to his Harvard blog).
We have stepped up from the Nady DJ-2M headsets with boom mics to a
BeyerDynamic DT 290. Its boom mic is directional and noise cancelling,
which reduces echo from the guest microphone. We will get a second DT
290 for the guest to wear in field-recording setups.
An XLR-to-mini adapter lets us plug the DT 290 headsets into a
Minidisc mic input. A 2-mono to ministereo adapter lets two headset
boom mics record on the dual tracks. These must be dynamic mics.
Plug-in power mics cannot get the low voltage for their electret
condenser mics through the 2-mono to ministereo adapter.
The Sony Minidisc has proved susceptible to AM radio interference. We decided to get the expensive HHB MDP-500 Portadisc recorder
(despite lack of LP mode) for the campaign trips to Iowa and New
Hampshire. This unit can use balanced XLR microphones. Jay Allison
recommended the BeyerDynamic M-58 as the best omnidirectional handheld,
so we will get one for field use.
On the digital audio workstation (DAW) front Chris has been very happy
with SoundForge editing for his interviews, but we now need to edit in
a music bed to create full-length shows and we will be learning
ProTools.
We
have an MBox with ProTools LE, and will probably acquire a Digi 002
Rack "Studio-in-a-box" (plus the DigiPack carrying case that holds the
Digi 002 Rack and a laptop computer). The Digi 002 Rack uses high-speed
Firewire for multitrack inputs to the laptop instead of USB (like the
MBox and our Tascam US-122).
The Tascam US-122
audio/digital interface has worked like a charm. We use it in two
configurations. In the studio, the Behringer mixer feeds the US-122
line inputs (1/4" phone plugs). The US-122 line output (stereo RCA to
ministereo plug) goes to a Minidisc recorder for a backup, and the USB
connection sends digital audio to the laptop.
For
telephone interview recording, the Plantronics MX-10 telephone
amplifier connects to the Minidisc recorder mic input. Recorder output
(ministereo to two phone plugs) goes into the US-122 line inputs.
We are developing a universal media controller
that allows a hyperlink to open whatever media player is already
installed in the browser. It searches first for QuickTime, then Windows
Media, then the Real Player (which continues to open nasty popup ads
when the player is closed).
Our media controller eliminates all these ads, and produces a
uniform interface for all media players. We are building a small
snippet of Javascript code that will allow Lydon fan sites to have a
BOP player listing - and linking - the latest interviews on their
pages.
See more on these developments at BlogAudio.org.
October 6, 2003
We learned a lot at BloggerCon. An important step is to make a
single audio hyperlink that lets users choose their Media Player. Then
we can open a special window that avoids the advertising and popup
messages that happen when the browser plays the mp3 file by itself.
Here's a test link - Slugger O'Toole
We bought a new Sony MiniDisc recorder, the MZ-N10, because it
advertised headphones out and line out jacks. It turns out these are
two functions for the same jack! On our older MZ-R30, the headphones
jack is available for post-MiniDisc monitoring (while the line out
feeds the computer input). The headphones volume level does not affect
the recording line output. With the MZ-N10, we can feed line out to the
computer, but no monitoring of the audio!
(We bought the new MD recorder to get LP recording modes, which Chris uses a lot.)
Output level from the JK Broadcast Host was low and had serious
cross-talk from our host mic in the caller line. We have fallen back to
the Plantronics MX-10 for telephone interviews.
We gave up on monitoring after recording with the MobilePre. We have
not yet explored other more expensive USB audio interfaces like the Tascam US-122 ($269/ordered for $200 from Sweetwater) and Sonic Devices USBPre (about $600). See the discussion with M-Audio engineers at Tech support
We succeeded in placing free VoIP Internet calls using speakfreely.org software.
The mixer sends line level signals to the MiniDisc, which sends line
level signals to the MobilePre. Headsets plug into the MiniPre for
post-laptop (DAW) monitoring. The headphones jack is available on the
MiniDisc for post-MiniDisc monitoring. The MiniDisc playback volume
level does not affect the recording. The latest info is that a more
modern laptop might not crash with the MobilePre drivers.
Design Objectives:
- The studio must fit in a single portable case (under-the-seat
maximum size). It should contain everything needed. Power supplies and
cabling must be organized and labelled so that Chris himself can set it
up and break it down again in just a few minutes. When set up, the
studio should occupy just a few square feet of desktop space so Chris
can work with it most anywhere.
-
The Lydon Studio has three major functions - Audio, Computer, and Telephone
-
Audio
- portable field studio with microphones, mixing board, recorder, and
two monitor headphones. We will use boom microphones integrated with
headsets to stabilize the sound level from guests. Basic field studio
supports Chris and one guest. We also now need a permanently wired
studio with:
- mic stands
- studio condenser mics
- extra headsets for group interviews.
- studio condenser mics
-
Computer - laptop with DAW (digital audio workstation editing software), MP3 encode (Joshua Barlow on Real Audio). We are now considering the Digi 002 Rack as a portable DAW with multiple inputs.
-
Telephone
- interface to record high-quality telephone interviews. Can Mary
receive a call while Chris is on another line? Just need two lines with
rollover?
-
A key idea is to make simultaneous recordings on two media (for example
MiniDisc and laptop hard drive). This will back us up in the event of a
computer crash and will archive the originals.
The Components:
-
Microphones Our first choice is a mic on a headset
boom. These are widely available in "multimedia headsets" with price
and quality ranging from under $10 to nearly $300. Most require
"plug-in-power" provided by the microphone input jack on the computer
and on a MiniDisc or DAT recorder. This means they will not work
plugged directly into the mixing board without a 1.5V power supply
(mixers have 48V phantom power for conventional condenser microphones).
We have found some headsets with a conventional dynamic mic, and also
located inline adapters (the APS-100) that provide the necessary 1.5V+
for the electret condenser mics in multimedia headsets.
-
Mics in headsets
- Beyer Dynamic DT 290 Mono Headset with Hypercardioid Dynamic Boom Microphone (3 Pin XLR / 1/4" TRS Phono Breakout - 250ohms) - ($369/$270)
- Nady DJ-2M stereo headphone - has a dynamic mic. Our best choice ($99/$69)
- Plantronics HS1 stereo headphone - electret mic. Second best choice ($89/$59)
- Koss R-65B stereo (electret - $50/$), SB-40 (dynamic)
- Yamaha MH-500 stereo - noise-cancel electret mic. ($60/$35)
- Andrea APS-100 power supply for electret mics (2AA batteries) ($17)
-
Optional Lav mics - Sony electrets - from $30 to $250.
-
Optional Cardioid voice mics (need mic stands) - Shure SM-58 etc. < $100.
-
Nady SCM-950 studio condenser mics
(need stands) - These will not be in the portable studio, but could be
set up semi-permanently with mic stands for higher quality audio - for
example if Chris interviews musicians who want to perform.
-
Mixers We are studying two mixers that can fit nicely in the studio case.
-
Recorders We have explored a number of portable
recording options to different media - MiniDisc, Compact Flash,
Multimedia Card, Hard drive. In each case, we need a production path to
MP3 for web delivery. We found devices that record directly to MP3,
others that record uncompressed digital, then export MP3.
-
MiniDisc - Chris has a Sony NetMD Walkman MZ-N510 and is familiar with the controls. We have an older MZ-R30. - ($200/$150-$400/$300)
-
Tascam Pocketstudio 5 - records uncompressed digital to Compact Flash, mixes down four tracks to MP3, uploads to computer via USB. ($500/$400)
-
Archos Jukebox Studio 20 - records MP3 stereo to 20GB hard drive, 30+ hours recording time. USB upload. ($300/$225)
-
Archos Ondio - records MP3 stereo to Multimedia Card media. USB upload. ($150)
-
Headphones Mostly we will use the headphones in the
headsets with boom mics, but we might have one or two even higher
quality headphones to monitor playback of the edited files in the
studio. (Not in the portable studio bag)
-
Optional Sony Digital - ($200/$120)
-
Computer Hardware
- We have an IBM Thinkpad
1151-370 running Windows 2000. We may rebuild it as Windows Me system
so we can install Pro Tools Free. We want to record digital audio
straight into the laptop.
- Griffin Technology iMic USB adapter provides stereo line input ($35).
- M-Audio MobilePre USB audio interface will provide line input/output and zero-latency monitoring ($150).
- Linksys WiFi (802.11b) Wireless PC Card provides 11 Mbps access through Wireless Access Points (Starbucks, etc.). ($50)
- PCS Vision Wireless PC Card provides 128Kbps Internet access from anywhere. ($200 plus $80/month unlimited data transfer)
-
Sound Editing Software
-
Desktop Software
- Browsers
- Internet Explorer
- Mozilla (has a mail client)
- Blog
- Radio Userland client.
- Web-based blog?
- Word and Image Processing
- Microsoft Word.
- Adobe Photoshop.

-
Cables and Adapters
- Radio Shack
- Y-adapter two RCA phono males to 1/8"(3.5mm) stereo (mixer to recorder)
- Adapters 1/4" phone to RCA phono female
- Y-adapters for 1/8"(3.5mm) headphones (1 male to 2 or 3 females)
- Adapters for 1/4" stereophone male to two 1/8"(3.5mm) female headphones jacks
- 1/8" mini-stereo male to male cable (recorder line/headphones out to iMic)
- 6" AC Extension cords (#61-2755)
- Comprehensive (B&H Photo Video)
- 1/8" female to XLR male (microphone plugs to mixer inputs)
- 10' XLR female to XLR male (microphones to mixer inputs)
-
Telephony We need to record telephone interviews. We
will investigate several devices to see if we can get a quality signal
over the phone (with minimum hum, etc.) Professionals use ISDN lines to
get good audio quality and raise the sound level of the remote party.
Can we find a low-cost device with comparable capabilities? The best
telephone interfaces use dual "hybrids" to separate the incoming and
outgoing audio into two separate signals. And the best of the best use
digital (not analog) hybrids (currently several hundred dollars).
- JK Audio Broadcast Host ($495/$435)
- Has twin digital hybrid curcuits to separate the caller from the callee.
- Can adjust the volume of the person calling in independently.
- Plantronics MX10 headset amplifier with Encore H101 headset ($200/$130)
- Has
cable with microphone and headphones plugs for PC. Mic requires plug-in
power or APS-100 power. Works fine with MiniDisc recorders. Works with
RJ-10 headset jack only (which is good for both digital and analog
phones).
- Allows Chris to work with both hands during phone interviews and ordinary phone calls.
- Soft Call Recorder Classic. ($300/$190)
- Works with both RJ-10 (headset) and RJ-11 standard telephone jacks.
- Uses line-in on sound card .
- Digi Personal Logger. ($125/$89)
- Works with RJ-10 (headset) jack.
- Radio Shack Telephone Recorder. ($29)
- Works with RJ-11 jack only. This and the $14.95 version that works with the RJ-10 headset jack are very prone to hum.
- Requires separate line from phone (used to dial call).
Things we learned the hard way.
Problem: Multimedia headset microphones require
plug-in power. Most sound cards provide it. MiniDisc recorders provide
it. Mixers do not.
Solution: Andrea Technology APS-100 inline power supply (2 AA batteries).
Problem: Laptops have (monophonic) mic in only. We need stereo.
Solution: Griffin Technology iMic USB adapter provides line in and line out.
Problem: Tascam Pocketstudio 5 has one line-level and one mic-level input.
Solution: Always use a mixer and feed stereo line-level outputs to Tascam.
Problem: Mini 1/8" phone connectors are unreliable (noisy at times) for the microphones.
Solution: When we arrive at the final design, we should rewire them with XLR connectors.
Problem: Sound will not play through the laptop during
recording. We want to monitor the sound post the last recording stage.
Sound plays through while recording on the 2GHz desktop/tower (our PC
audio/video editor).
Solution: The tower has an Osprey 200 sound card. We
need a better USB audio interface, and ordered the Creative Blaster and
M-Audio MobilePre units today (7/17).
Problem: Setting manual recording in MiniDisc is not easy. (Automatic gain turns up the background noise in periods of silence.)
Solution: Print out relevant steps from online Sony manuals. Add them to the case.
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Stop the recorder.
-
Press Pause and hold while pushing Record for at least two seconds
-
ManualREC appears. You can now adjust gain manually with << and >> keys.
-
Adjust to mid-range. This setting good for only this recording.
Problem: Settings for Plantronics are hard, and different for skyBuilders Merlin phone and the Berkman phone?
Solution: Best setting for compatibility switch is 2 for Merlin. Press down left-hand switch to record (right-hand switch stays up).
Problem: No sound going into MiniDisc from Plantronics MX10, though we hear it clearly in the headphones.
Solution: The MinDIN cable connector on MX10 was a little loose. Pushed it in hard and sound was restored.
Technology Suppliers:
- Andrea Electronics www.andrea.com
- APS-100 Auxiliary Power Supply (provides voltage for electret mics) (arrived 7/16)
- Archos www.archos.com
- Archos Jukebox 20
- Archos Ondio (arrived 7/17)
- B&H Photo Video www.bhphotovideo.com
- Digidesign Digi 002 Rack and DigiRack case
- HHB MDP-500 Portadisc Recorder
- BeyerDynamic DT 290 Headset/Boom mic
- BeyerDynamic M-58 omnidirectional handheld mic
- Comprehensive 1/8" female to XLR male (microphone plugs to mixer inputs) (arrived 7/17)
- Comprehensive 10' XLR female to XLR male (microphones to mixer inputs)
- BigD Communications www.bigdcom.com (Bruce Brenner)
- Digi Personal Logger (eta 7/21)
- SoftCall Recorder Classic (eta 7/21)
- J&R Music and Computer World www.jandr.com (Doug Shannon)
- Creative Labs SB0270 Sound Blaster USB Audio Interface (eta 7/22)
- Markertek www.markertek.com (Carlos Linares)
- Musician's Friend www.musiciansfriend.com
- Nady DJ2M STEREO DJ HEADPHONE W BOOM MIC (3) (2 more arrived 7/17)
- Nady SCM 950 CARDIOID CONDENSER MICROPHONE (2) (arrived 7/17)
- Nady MST-5B TRIPOD MIC STAND W/BOOM (2) (arrived 7/17)
- Provantage www.provantage.com
- Plantronics MX10 Multimedia Headset Switcher
- Plantronics Encore H101 Binaural Headset
- Radio Shack www.radioshack.com
- Y-adapter two RCA phono males to 1/8"(3.5mm) stereo (mixer to recorder)
- Adapters 1/4" phone to RCA phono female
- Y-adapters for 1/8"(3.5mm) headphones (1 male to 2 or 3 females)
- Adapters for 1/4" stereophone male to two 1/8"(3.5mm) female headphones jacks
- 1/8" mini-stereo male to male cable (recorder line/headphones out to iMic)
- Telephone recording Control (#43-228A)
- 6" AC Extension cords (#61-2755)
- Sweetwater Sound www.sweetwater.com (Jeff Barnett)
- Tascam Pocketstudio 5
- Griffin iMic
- Digidesign MBox (with ProTools LE 6.0)
- M-Audio MobilePre USB Audio Interface
- Talamas Broadcast Equipment www.talamas.com (David Missall)
- JK Audio QuickTap
- JK Audio Broadcast Host (eta 7/25)
- Valco Electronics www.valcoelectronics.com
- Plantronics HS1 Multimedia Headset
Resource sites: